Easily the coolest looking amp in our arsenal. Very similar circuit to a Fender Twin Reverb. Loud and clean. Recently recapped. Works well for bass guitar.
1973 Ampeg B15N Portaflex fliptop bass amp with factory installed Altec 421A 15” speaker option. This particular amp was previously owned by James Williamson of the Stooges.
Euclid amp custom made by Joe O'Sullivan in Leeds, UK. 100 watt Marshall JMP 2203 circuit clone, but with 2 channels/4 inputs built into a Hiwatt-style box. Great sounding master volume tube amp.
50 watt combo with 100 watt Celestion speaker. This is the loudest combo amp ever. Headroom for days. Sounds great when pushed. Works well for keyboards.
Custom Hiwatt DR103 clone. 100 watts. Preamp circuit is modelled after later 2-input model for slightly more gain than earlier 4-input model. Loud and clean.
Preamp pedal will accept any 1/4” audio source, like a guitar, for instance. This particular cabinet was maintained by Bob Schleicher (RIP), a well renowned Hammond and Leslie tech from Oakland. Beautiful sound.
Solid-state Roland Jazz Chorus JC-120 combo amp. Very clean sound with built-in stereo chorus effect. Built-in distortion sounds terrible, but clean sound is about as clean as it gets.
1973 Ampeg B15N Portaflex fliptop bass amp with factory installed Altec 421A 15” speaker option. This particular amp was previously owned by James Williamson of the Stooges.